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All Posts,event,New Music,Old Music — Dan on May 18, 2010 at 11:52 am

THE RETURN AGAIN OF DAZZLE SHIPS
The monthly party I hosted with Tropical Jeremy for 3 years is now back after a year long respite with new resident DJ Ben Gebhardt, which means I get to carry less records, show up later and leave earlier. We return tomorrow night, Wednesday May 19th with guest DJ Steve Silverstein of Christmas Decorations and Wodger Records. It’s also Jeremy’s birthday! And it’s the day after the 30th anniversary of Ian Curtis’s death, so I’ll be bringing plenty of moody Martin Hannett-produced post-punk and a few Joy Division gems along with the usual randomness. Dazzle Ships takes place from 9 till 1-ish (or later) at Heathers, 306 east 13th st at Ave. A in Manhattan and we now have an exciting new website to present such information, but as usual, facebook rules for this sort of thing.

IKE YARD NEWS
Ike Yard’s new EP, Öst came out recently on the Phisteria label. It’s a great 10″ (for those of you new to vinyl, that’s a bit bigger than a 7″, but smaller than a 12″) featuring two new tracks and two remixes. The late-night atmosphere, the dubbed out synths, the  post-punk bass, the spoken vox all remain on the A-side Oshima Cassette, while the flipside Citiesglit is an altogether more ambient and textural affair. Phisteria will follow this up with a full-length soon.

In other Ike Yard-related news…the post-Ike Yard deconstructed hip-hop project Death Comet Crew, featuring Stuart Argabright and Michael Diekmann of Ike Yard, Shinichi Shimokawa and DJ High Priest (legendary hip-hop DJ, partner with Vince Gallo in “Trouble Deuce“) are making a rare live appearance in New York this saturday at Public Assembly in Williamsburg with Beans, Crunc Tesla, Plasticity and Toboggan. Details here.

METHOD ACTORS PRESS
We have had nothing but awesome press from all corners. Here’s some of it…

Last Days of Man On Earth

Pitchfork

The Music Critic

Simon Reynolds Blissblog

BBC Music

Allmusic Guide

Cybore

Dusted

Artrocker

Gigjunkie

Critical Mob

Prefix Mag

Drowned in Sound

Spectrum Culture

The Big Takeover

FINALLY, IAN CURTIS
I said plenty about Joy Division in my epic Acute Blog post around the time of my work on some Viva-Radio playlists tied-in to the release of the movie Control. I beg you to read it again.
One thing that’s always been funny about my passion for Joy Division is how every few years, every few months, different songs plant themselves in my head as a new favorite. For the last few months, I simply cannot stop listening to Digital. Historically, the idea that this is where the big change took place, that no matter how much you love the Warsaw material, that it wasn’t until they recorded this session with Martin Hannett that they started to truly show that they were something really special. But it’s the energy, simplicity and repetition of Digital that totally kills me. Even without Hannet’s touch, it’s somehow a great deal more modern then the material on An Ideal for Living. There’s almost a krautrock quality in it’s stilted rhythm and motorik/mechanic beat. Like Wire and the Fall on MORE speed. Imagine that. Here’s the video clip from the Here Are the Young Men video (I still have the Ikon VHS). Not the best audio or video quality, but even that just adds to the power of this performance.

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